Friday, October 6, 2017

Writer/director Josh Klausner (DATE NIGHT) debuts WANDERLAND at the Hamptons International Film Festival

A number of years ago, I interviewed screenwriter Josh Klausner about how he broke into the business and his work on SHREK FOREVER AFTER and DATE NIGHT. Today, Klausner's latest film WANDERLAND debuts at the Hamptons International Film Festival.

WANDERLAND is a low-budget film, written and directed by Klausner. It has musical numbers, but as he told the Village Voice, he doesn't think of it as a traditional musical.



Josh Klausner’s lively, lovely film, shot on a dime in and around the Hamptons, does not exactly have the trappings of what we think of when we think of musicals. Inspired partly by Martin Scorsese’s After Hours, partly by Homer’s The Odyssey, and partly by Shakespeare’s A Midsummer Night’s Dream, Wanderland — which premieres at the Hamptons International Film Festival this Friday — follows Alex as he drifts through a weird night trying to make his way home, coming into contact with a whole host of local oddballs. It’s a strange, atmospheric little film, occasionally hopping genres and always keeping us wondering as to where it’s all headed.

It’s quite a change of pace for Klausner, who made his name as a screenwriter on Hollywood films like Shrek Forever After and Date Night. But that was sort of the idea: He says that after years of working in the mainstream and studio world (he started his career as an assistant to the Farrelly brothers, eventually becoming a second unit director for them), he felt he was “creatively dying” and wanted to get back in touch with his own voice.

Coming from a regimented world of carefully placed plot points and clear, preordained through lines, Klausner embraced with this film a drifting open-endedness. “When you work for so long in the studio system, for better and for worse, you kind of know the pattern that works,” he says. “So as you’re writing, you basically know where you’re going at every moment. I wanted to have the experience of writing again when I didn’t know where I was going — to once again have that feeling of discovery. I tried to make an intuitive movie.”

The rest of the profile is worth a read here, and has me hoping it won't be long before WANDERLAND is available for general viewing.

No comments:

Post a Comment