Monday night I pitched three premises to my writing group. None of them were full treatments. One had a rough beat sheet, one was basically a premise and a skeletal outline of structure and one was an Act One outline with only a vague idea of where the story would go from there. I'd guess at best, one of them might get developed further based on the feedback tonight, and the rest will join about 20 of his brothers and sisters in the "Idea File," where my pitches, concepts, and outlines go to die.
Just so we're clear, I have eight completed spec scripts to my name (three of which are collaborations). Three - MAYBE four - of those are ones that I consider solid enough to show to people, with another one currently in active rewrites.
This means that I actually follow through on about a third of the premises I come up with. I look down the list of abandoned premises, and about a third of those seem like ones I might be able to wring a marketable script out of if I invest enough time and get blessed enough by the Muses. And about a third of the ideas out there range from embarrassing to utterly, utterly stupid.
My dumbest idea: a drama-indie that revolved around a three-way love triangle between a Priest, a Nun and an Altar Boy. I won't say more than that because there's always a chance I can salvage it, but it's also one I know I could never seriously pitch unless I was down to my last idea.
So tell me, what's your ratio of "ideas gotten" to "scripts developed?" And if you feel like sharing, what's your dumbest idea in the idea file?
Representations and warranties
1 week ago