I reported this back to Alan, who mentioned he had several screeners to choose from and that he'd move one featuring Gosling to the top of his list. Soon enough, Alan sent me the following email with his thoughts on DRIVE and Ryan Gosling's potential to be the next McQueen. With his permission, I'm reprinting it here.
I loved DRIVE’s trips down my memory lane.
In BULLITT, we were pushing mass audience taste by
blasting two victims with a sawed-off shotgun onscreen,
which we didn’t think anyone had ever done before.
DRIVE pushes that limit to the edge and beyond with its
deliberate onscreen savage butchery. Fortunately we
were watching the DRIVE Academy screener so when
my wife felt sick, she up and left.
Question: Will the audience segment with that sort of
taste require it of Gosling movies in the future? Will
they be disappointed if it isn’t there? And if it is there,
what will it do to Gosling’s appeal?
We thought our BULLITT car chase would be the car
chase to end all such chases. Peter Yates bettered
his ROBBERY camera-on-the-following-bumper shots,
the San Francisco hills were glorious, and my soaring
hubcap and ebb-and-flow of tension sequences were
kept by Academy Award winning editor Frank Keller.
We never dreamed that we were setting a requirement
for action flics and that the chase would be copied
a hundred times, often in the very same locations. I
thought the DRIVE chase was pretty damn good, but
L.A. at night can’t match San Francisco by day, and the
DRIVE chase fails to match the BULLITT ebb-and-flow of
tension standard.
Another Gosling question: Can he be the new
McQueen? The physical resemblance is striking, but
nobody has told him to study the facial expressions
of Bogart and McQueen and no one has given him the
character mantra he needs to say to himself before he
shoots each and every scene so that he never seems
unsure and lost and the mass audience will see him as
a star they love and not just a sexy lookalike wannabe.
Good luck, Ryan Gosling.
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