This is another email I got where I don't feel like my answer is terribly useful, so I'm opening the floor up to you guys.
Been following you on twitter for a while now, love getting your updates.
I'm a young-ish producer based in Australia, and I've been working with my creative team for roughly the last five years. In the last three we've launched and grown our production company working mostly in advertising and corporates, all whilst doing the odd short to hone our narrative skills with the look out to some day doing a feature.
Finally we've gotten to that point where we are saying 'lets pick a project' and we'd love to option a script preferably written by a writer outside Australia - with the location of the story no real concern to us, and genre being something we don't feel we are defined by - with good writing, and developed characters being I guess just two of the many other factors we'd be looking for.
Anyway the reason for this email is to ask your advice on the best process to getting our eyes on scripts. Should we be making ourselves known to literary agents based in LA, contacting writers directly, trying to get our own agents -- or some other course?!
Would love it if you can share some insight on this!
Honestly, I think that your best bet is to reach out to literary agents, but if you don't have any produced works to your name it might be a bit of an effort to get their cooperation. You'd probably have a better bet with some of the smaller agencies and management firms.
Having said that, I'm not sure I understand why you're looking for a writer outside Australia. It seems to me that it might be a lot easier to find someone close to home, make a name for yourself producing a low-to-medium budget film, and use that cache to open some doors in LA.
But what do you guys think.
Representations and warranties
4 days ago