Scott Myers is one of a kind in the screenwriting blogosphere. The man works tirelessly, putting up a half-dozen new posts a day covering everything from script analysis, spec dealmaking and famous lines of dialogue. If there's something you want to learn about screenwriting, there's a good bet you can find it on his site, Go Into The Story.
Scott's been a good friend to the blog and I always enjoy talking to him, but rarely have I enjoyed it as much as this interview he conducted with me about my book, MICHAEL F-ING BAY: The Unheralded Genius in Michael Bay's Films. Scott asked some of the tough questions I haven't gotten elsewhere, such as
And then there was this gem, for which I probably owe an apology to Diablo Cody:
Michael Bay does Juno. Go!
Michael Bay and Diablo Cody on the same film? I’d love to see the trailer for that if for no reason other than the fact that Diablo Cody has a name that was meant to be pronounced by a Don LaFontaine-like trailer narrator. Try it – it’s impossible not to make it sound kickass!
Okay, so the first thing to understand about how Bay develops is that he’ll often start with the action set-pieces first. There’s always action in a Bay film. Even the lower budgeted Pain & Gain has a couple footchase scenes and some explosions. And what do you know – Diablo’s one step ahead of the game with the high school track team’s running scenes. The slow-motion shots of the young men’s privates undulating with each stride also hits the Bay quota of male homoeroticism. So this part of the film is definitely the same – except there’ll be a lot more of it.
Also, Michael Cera’s part is now played by Jai Courtney.
For the rest of the pitch and part 1 of a wild interview, mosey on over to Go Into The Story.
Buy the book on Amazon here.
Read my announcement of the book here.
2 weeks ago