The first focuses on the utterly bananas DVD commentary, featuring a possibly inebriated Ben Affleck mercilessly mocking the film. Have you ever heard a commentary like when Ben makes fun of how unnecessarily expensive Armageddon’s production was?
“This is where you just have a random helicopter in the background for no real reason, just because you’re a big movie and you’re expensive and you can,” he says. “You have no idea how much of a headache having a helicopter in the background causes us—safety this and money that, only so many hours they can fly, they’re on walkies, winds blasting everywhere. If I hadn’t brought it up you probably would’ve forgotten about that yellow helicopter in the background by now.”
GOLD.
There's also a tribute to Aerosmith's "I Don't Want to Miss A Thing," a song that was EVERYWHERE in the summer of 1998.
My book MICHAEL F-ING BAY: The Unheralded Genius in Michael Bay's Films is still available on Amazon. The eBook will run you a mere $4.99 and if you're one of those people who prefers paperback books, that'll cost you $10.99
I'm very proud of the book and to be perfectly frank, it would be nice to have a few extra dollars in the coffers this holiday season. So if you're looking for a way to support me, or just want to get a new perspective of some frequently underrated films, do it the capitalist way by buying my book.
I'm very proud of the book and to be perfectly frank, it would be nice to have a few extra dollars in the coffers this holiday season. So if you're looking for a way to support me, or just want to get a new perspective of some frequently underrated films, do it the capitalist way by buying my book.
His movies have cumulatively earned $2.4 billion in the domestic box office, making him the second most-successful director of all time, right behind Steven Spielberg. If one gathered the top six directors in that category, that same man would be only one of the half-dozen to not also be in possession of an Academy Award: Michael Bay.
Commercial success and meaningful art don’t always go hand-in-hand, but is it possible for a filmmaker to consistently hit his mark with the audience without truly doing something right artistically? Professional critics have long taken aim at Bay’s music-video-honed visual style, full of fast cuts, moving camera shots, hot women. The internet is full of negativity and scorn for the director too, but has anyone truly given Bay’s oeuvre the benefit of the doubt?
Michael F-ing Bay: The Unheralded Genius in Michael Bay’s Films is the first-ever attempt to approach the Bay catalog from an intellectual standpoint. Come ready to find the deep subtexts and profound meanings in Michael Bay’s filmography.
EXPERIENCE – the controversial discussion about man’s relationship with God buried within Armageddon!
DISCOVER – how Pearl Harbor demonstrates that emotional truth is far more vital than strict adherence to actual historical events!
LEARN – how The Island is a pointed allegory attacking the proliferation of remakes and reboots that Hollywood produces!
UNDERSTAND – the vulnerable confession that Michael Bay offers under the cloak of a true-life Miami crime story in Pain & Gain! And much more!
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If you love Michael Bay, you will
find something to enjoy in this book and if you hate Michael Bay you'll
probably still find plenty to love here. Every movie Michael Bay has
directed is covered here, in all-new in-depth examinations.
If you want a taste of the book, read the chapters on TRANSFORMERS: AGE OF EXTINCTION and THE ROCK for free at their respective posts. Also check out "Why I Wrote a Book About The Unheralded Genius in Michael Bay's Films" over at Film School Rejects.
If you want a taste of the book, read the chapters on TRANSFORMERS: AGE OF EXTINCTION and THE ROCK for free at their respective posts. Also check out "Why I Wrote a Book About The Unheralded Genius in Michael Bay's Films" over at Film School Rejects.
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